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A few days later, Martin is about to go to sleep when he hears what sounds like his mother talking to someone. His mangled corpse is dropped off somewhere on the other side of the warehouse. Paul prepares for it to attack, but he's suddenly pulled from behind into the dark. The handle on the door starts to jiggle as the figure tries to get in. Suddenly, the lights start flickering and eventually go off, leaving him in the dark. He locks the door and grabs a baseball bat. Paul takes off again, limping all the way back to his office. He pieces together that it cannot travel in the light, but only in the dark. He notices that it's standing right at the edge of the ground where the darkness ends. He gets up and sees the figure in front of him, standing in the darkness.

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As he passes through a small patch of darkness, the figure claws his leg, sending him to a lit part of the ground with a bloody gash. It does and now the figure is closer to him then it originally was. Paul swings his arms around the light to get it to come back on. Just then, one of the lights above Paul turns off, because it's motion-detected. It's crouched down a darkened area of the warehouse. Eventually, he comes across the same figure. So, he walks through the barely lit warehouse.

As he is about to leave, he remembers what Esther told him about seeing someone. A little while later, he goes to lock up for the night.

He dismisses it and tells her to go on home. She interrupts him as he's in the middle of his skype call with his son, and tells him that she saw someone who then disappeared. She immediately turns the lights back on and goes to tell Paul. She does this two more times and on the fourth time she turns off the lights, the figure appears right in front off her. She turns the lights on and it disappears. She turns the lights back off and the figure reappears. She notices the figure and when she goes to turn the lights back on, it disappears. When she goes to turn off the lights in one of the rooms, a figure appears in the back of the room. Paul's assistant, Esther (Lotta Losten) is locking up the warehouse. Paul tells Martin that things will get better. Martin tells his father that his mother, Sophie (Maria Bello), has been acting strangely lately.

Whether into introspection or well-crafted stories, it's a must-watch, leaving you pondering life's intricacies.The film opens with Paul (Billy Burke) skyping with his son, Martin (Gabriel Bateman), late at night while he's at work at a mannequin factory. With a compelling narrative, strong performances, and stunning visuals, ''2001: A Space Odyssey,' ' proves cinema's power to inspire. The impactful score enhances storytelling, drawing viewers into experiences.īeyond a film, it's an enduring experience, inviting contemplation of life choices and relationships. Visually, it's a feast: capturing nature's beauty and emotions through impressive cinematography, light, and color. Relatable character journeys involve battling personal demons, making life-changing decisions, and finding redemption. Pacing immerses the audience, rich storytelling invites reflection, and the cast delivers genuine, heartstring-tugging performances. The direction seamlessly shifts between past and present, delving into characters' lives. Set against a picturesque backdrop, it weaves compelling narratives with stunning visuals and strong performances. ''2001: A Space Odyssey,' ' is a captivating film exploring human relationships and self-discovery.